
Jonathan and Renee at Lovebytes 05

Tarnation Q&A at Lovebytes 05
| "I
quit my jobs and went on a nicotine and caffeine frenzied
maniacal editing marathon and would stay there for 4
days at a time and push and push myself" |
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Jonathan Caouette
"LOVEBYTES..I
love the name! Isn't there something called Soundbytes?! I
think Lovebytes is my first exclusive digital festival and
I'm so glad these exist and I have a feeling in the next 2
years that there's going to be a whole conglomeration of digital
film festivals.
One
thing I wanted to say in the question and answer, is that I
really
think the people who have created home editing software, aren't
cognoscente of the monstrosity that they're created. I really
think its going to enable any Joe-Shmo to just get out there
and make a film and know there's no excuses and I think it's
really going to change the relationship between the artist
filmmaker and the medium of film. In a way that's going to
be a renaissance, that's going to revolutionise even the way
that we distribute films. For any of my other projects that
I want to make on my own computer from here on out, I'm self-distributing
and I think because of the notoriety of this film, I'll be
able to do that." I love the fact Tarnation started life in Imovie!
"In went from Imovie, to aspects of it that were cut on Adobe After Effects,
like the quads, the split screens, that you can't achieve on Imovie. I cut all
the scenes rhythmically to music that you see in the quads. I gave them to my
friend Jason Banker, who took all those images and put them together in the stilt
screens, that's were it was sort of cheating and then eventually it lived on
an Avid where we did our initial sound mixing and also we were able to output
on digi-data and then Lucas films, Skywalker sound invited me to come and do
my sound mix there out at Star Wars land, and now its like this low-fi film with
all this star wars sound!"
Who would you like to work with?
"I would have to say…Leonardo Decaprio, but pull
him back to something that's not Hollywood, something indie. I've
always admired him as an actor because he just goes way over the
edge and takes risks, not as many as he used too but I'd love to
work with him on that perspective and pull him back. Directors?
David Lunch!"
On England
"Renee and I love England, it's fantastic, we're gonna go around London,
I love London, I love rural England, it's amazing, I can't wait, Manchester,
Belfast, Manchester again, then London, doing the same kind of stuff."
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Jamie Bristow
" I initially
felt quite embarrassed because it's obviously intensely personal and because
you knew he was in the audience. You kind of felt a bit voyeuristic. The monologue
of the 11 year old kid talking to the camera really knocked me for 6, that being
one of the opening scenes. There's something very narcissistic, which he admits
himself, and jokes about it but I kind of see it as a symptom of him upbringing,
a cathartic process, I think he needed to tell his story and he obviously felt
that from a young age and that's quite unique that he always felt there was something
special about him that the world needed to hear. I think he's done it incredibly
well and not cheesily and in quite a powerful and enthralling way." |
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Yulia Iruskinate, Lithuania
"My
first impression was that its not so much about directing,
well it is about editing, but its not the thing, it's the thing
that the guy was collecting everything all his years, plus
it's also very personal. That's what I like in this movie. |
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